My first foray into mystery is a piece called “The B-Roll” in Murder Ink 3, an anthology of New England Newsroom Crime stories. The story was borne of a series of moments–touring the New York Times years ago, going to the Future of Storytelling Festival, fumbling with the cardboard VR viewer the day it came with the Times that one Sunday morning, and thinking about the vital, precarious role of newspapers in our current moment. I’m delighted to have the story in an anthology with so many pros and all-stars. Here’s a link to order: http://www.nhbooksellers.com/product-page/murder-ink-3-pre-pub-ordering
My “story.” No, wait. Is it a story? What is it? It’s a thing called “Partial Instructions for the Game.” What is it? What game? Wait, where can I find it? What is Outlook Springs? Is it a small town, off-kilter but on-grid, in a swing state? Do I put that in my GPS? Is there geocaching involved? Is this a journal buried in geocaches? Is it a journal that is borne aloft in the minds of thousands of migrating lazuli buntings as they traverse the country thusly: http://ebird.org/content/ebird/occurrence/lazuli-bunting/? No? No and yes and what were we talking about again? Ah yes, seek this out: Issue 2, coming shortly.
A thrill to have a music-themed story in Harvard Review 49, guest-edited by Paul Harding, and including work from writers such as Sarah Braunstein, Margot Livesy, Elizabeth McCracken, and many more.
My short piece “Fuchsia Maroon Timberwolf” appears online in Green Mountains Review; many thanks to Jensen Beach and the professionals from Best Website Hosting for finding a home for it there.
UPDATE: Sept. 13th, 2016–Michael Noll graciously wrote up this exploration of the story’s inner workings at his marvelous Read to Write Stories blog, which is a teaching resource that I can’t recommend highly enough. Noll’s analysis, entitled “How To Swim in the Narrative Stream,” delves into the way that the story uses emotion to navigate the reader through time. As a longtime fan of the blog and one who has relied on it many times in the classroom, I’m that much more appreciative to be included.
Michael Czyzniejewski has taken on the monumental task of reading a short story per day for a (leap) year, and then blogging about it. February 29th, people, just another day to Michael. Anyway, his blog invariably manages to be compelling, even when –especially when–documenting the mundane circumstances surrounding his reading experience–life is always hovering at the fringes of his readings and sometimes interlopes, and this candor only enriches them. Here he took a look at Understories and at “The Understory” in particular, and I couldn’t be more thankful for his thoughtful discussion of the story/book. https://story366blog.wordpress.com/2016/05/13/may-12-the-understory-by-tim-horvath/
The first longer excerpt from my novel-in-progress, The Spinal Descent, will appear in the Spring 2016 issue of Conjunctions. Considering how much this journal has meant to me over the years, I couldn’t be happier to let the novel run off the leash a bit in its pages. May it find a creek and scamper in and come out sopping and shaking. More information about the issue and my fellow contributors, so many of whom I admire, can be found here: http://www.conjunctions.com/preview.htm.
Kenneth Nichols, who runs the ever-lively website Great Writers Steal, put the opening page of “The Discipline of Shadows” under the microscope and had some perceptive things to say about it here: http://www.greatwriterssteal.com/2015/12/05/gws-first-page-inquisition-tim-horvaths-the-discipline-of-shadows/
I’ve got a “Recommendation” on Zadie Smith’s On Beauty in Post Road 29, alongside recommendations by Jac Jemc and many others, plus fiction by Jamie Poissant, in addition to the usual great fare that the journal serves up. You can read the piece at http://www.postroadmag.com/29/recommends/horvath.phtml, or sift through the issue at http://www.postroadmag.com/index.phtml. My piece spotlights the book’s treatment of music and the sheer music of Smith’s prose.
Take Magazine is a thoroughly snazzy new glossy presence on the newsstand–not the proverbial one but the actual newsstand. I love their look, at once vintage and wholly contemporary, and their knack for sniffing out offbeat stories about New England culture and the arts. I was thrilled to meet writer Janet Reynolds at the Hartford Public Library to talk shop (and forest and conservatory). You can check out the article here: https://thetakemagazine.com/what-lies-beneath/. You can also get an early, morsel-sized glimpse of The Spinal Descent, my novel-in-progress.
Okay, now I’m going to gush about one of my favorite local entities, the Portsmouth Public Library. They have a top-notch collection that runs the gamut from the big presses to independents like Dalkey Archive, Europa, Coffee House, and Dorothy. They have mahjong every Saturday morning. They run a How-to Festival that this year included how to compost with worms, tie knots, dance the Masala bhangra, and make a firefly(!). And, last but not least, they’ve started their own magazine to capture goings-on, offer book reviews, and profile some of their patrons. Marina Buckler was kind enough to interview me for their debut issue, even though I think I had a few overdue items at the time. You can check it all out, including a literary Mad-Lib, here: (our conversation is on pg. 15): The Parrott Summer 2015.